Thoughts on Netflix: Where They Lost the Trust

The subscriber exodus from Netflix following their price hike has been eye opening. The company continues to take a beating on the stock market, and the announced intent to split the company into two separate entities (one focused on mailed disc-media rentals, the other on streaming content) has done little to thwart the rapid decline. If anything, the decision to name the new offshoot Qwikster (the butt of many jokes) combined with the unfortunate @qwikster account on Twitter has provided fodder for the comedic onslaught.

Somewhere along the way the company lost touch, and in turn it compromised the trust built up over the years between countless Netflix subscribers and a company who clearly seemed to “get it” from the onset — or so it seemed from the outside looking in. How did the company that foresaw the demise of disc media come up with the idea to split the company in two and apply a name seemingly rejected from every web 2.0 startup naming pool?

Anyone not paying close enough attention to the events as they’ve unfolded could easily blame the attrition on the price hike, after all this was the tipping point for a large group of people who’d grown accustomed to the virtues of Netflix’s service. Unfortunately the truth is that the poorly handled fee hike was just the result of the company’s detachment from reality, a side effect brought on by distancing themselves from the very things that built the company up as a disruptive service to a growing audience seeking new ways to access their content.

So where did it all go wrong?

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Seriously. @twittersuggests is a White Hot Bucket of Fail. Er, Win. Gah! I Don’t Even Know Anymore

I first noticed the new experimental @twittersuggests feature a couple months ago when it @mentioned me in a tweet to a newly registered Twitter user. At the time I thought this was a cool way for the company to actively use their own product to help solve a discovery problem for new users to the service. My Twitter account was included in a series of tweets that mentioned other notable accounts (@superamit, @juliebenz, and @sacca), so the secondary reaction was a positive emotional one — I was flattered.

Twitter describes the service on its help pages as:

…an experimental feature that helps you find interesting new accounts to follow by tweeting Who To Follow suggestions, personalized just for you! This feature was created by Twitter, and it looks like a normal Twitter account – it will Tweet recommendations which you can reply to, retweet or mark as favorites.

Pretty cool, right?

Since then not every mention has been as flattering (obviously, the purpose of this service isn’t to dole out flattery to nobodies like myself), but for the most part they have been decent overall. Over time, the quality of the mentions declined. Today tipped the scale. In a tweet posted earlier I was @mentioned alongside what can only be described as a spam account. Nay, a porn spam account. See for yourself:

Twitter Suggests == Fail

So, I may be guilty for tweeting a lot. I may also be guilty for running my mouth off from time to time. But how in the world am I in the same class as a porn spam account? Better yet, how can this possibly be acceptable from an official Twitter account?

How does it work?

@twittersuggests is a feature which looks like a Twitter account – it algorithmically generates suggestions of users to follow and sends them to you.

@twittersuggests will tweet recommendations to you via @mentions, and this Tweet will appear in your @mentions timeline.

Sure, the company describes this with words like “algorithmically” and “experimental,” but it’s really hard to believe that this was launched with any sort of testing whatsoever. If there are any resources applied to this experiment, they certainly don’t appear to be doing any tuning that is having a positive impact. To the contrary, the quality appears to be decreasing over time. The sad thing is, if I were new to Twitter I might find a service like this valuable if the accounts recommended remained of decent quality, but that’s just not the case here. Worse still is that there are so many simple ways this could be avoided.

Before I get pummeled with the argument the “false positives are expensive” argument (Yes, I’ve read @kellan’s excellent write-up, and have firsthand experience with this as well) let me call out that this is an entirely different scenario. The cost of false positives is only applicable when you choose to deny accounts access to basic services. If a company restricts an account from using the basic functionality of a site because of an unsubstantiated suspicion, then sure…that’s expensive.

However, tweeting account recommendations that might otherwise trip overly sensitive spam-detecting algorithms is a choice mistake. Twitter owns this account, they have the right to be overly choosy about the accounts featured in their recommendations, and an account that includes obvious keywords like “sex” and “porn” is a safe one to filter out of that list, just to play it safe. Now, building a recommendations engine is tough. It’s not easy to get these things right, and I’m certainly sympathetic to this. I guess I’m reacting so strongly here because this feels like one of those avoidable mistakes, especially because there is literally no harm in restricting an account like this from being recommended.

In other news…

Speaking of mouthing off…I shared my thoughts on the news of the Beyonce-pregnancy-VMA induced milestone Twitter reached in terms of TPS (FYI — that’s, obnoxiously, “tweets per second”) this weekend, and look what happened. Awesomesauce.

Superchunk retweeted lil' ole me?!

From the Bin: Week 1 — Rebooting the Comic Book Engine

Welcome to the Bin

I’ve been out of the comic book game for a while now, but have wanted to get back into collecting for some time.

When you’ve been away for so long (hint: I dropped off back when Marvel was in the middle of a Civil War and DC was recovering from Infinite Crisis vis a vis 52) how do you know where and when to jump back in? Thankfully a series of recent events have pushed me back in the direction of the comic bins, and I’m finding my way. So with this double-sized post I’m kicking off a new themed column called “From the Bin.” Enjoy.

Blame the Kid

First, I’m raising a comic book nerd. My daughter has a growing interest in comics ever sense she accompanied me to a screening of Thor. She found the trailer via the Flixster iPhone app, and had a dozen questions about the Norse God of Thunder. Eventually this lead to the penultimate question, “Daddy, will you take me to see Thor?” I knew it was a gamble. Branagh was hired on specifically to bring a staged feel to the film, so I knew there would be stretches of dialogue-rich banter between Thor and his paterfamilias. How would she fair during these sequences? In the end, she made it through loving the film and the characters, which has been odd for me because while I certainly enjoyed Thor’s involvement in The Avengers, I’ve never been a huge fan of the Thor books in standalone. The Warriors Three? That’s another story.

Whatever, it got her into the idea of comics, so who’s complaining? Certainly not me.

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Still Need Proof That Damon and Carlton Planned LOST From Season 1?

I’m not sure how I missed this in the onslaught of Comic-Con news, but here it is. Damon Lindelof and Carlton Cuse brought a special gift to the convention this year for Lost fans — definitive proof that they had the entirety of LOST planned out right from the get-go. That’s right, this single scene proves, without a doubt, that they knew where this was headed. They held onto it for a while, but perhaps felt that this was best released now, at a time when it may have a chance to counter the wave of fan backlash from the series finale.

Take a look:

Well, there you have it. Still a doubting Thomas?

All joking aside, I really loved the entirety of LOST, and one of the best aspects of the show was the willingness of Cuse and Lindelof to poke fun at themselves. If anything, this clip should prove that without question.

 

Script Review: Quentin Tarantino’s Django Unchained

The rumor mill is churning with buzz around Quentin Tarantino’s latest script, and it sounds as if the film is set to roll in December. I can’t dish the dirt on Will Smith vs. Jamie Foxx. I have no clue who is tracking to play the leading female role in the film.

But I’ve read Django Unchained. That has to count for something.

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The Vancouver Canucks 7th Man? Their Twitter Fanbase.

It’s been said that the Sharks’ 7th man on the ice has been their fan base. Anyone in attendance at the Shark Tank during a crucial game can attest, the aural onslaught can be quite intimidating.

Vancouver has a 7th man as well, only it’s not as rooted at a single location as the Sharks is. It’s mobile, and it uses social media to organize. Oh, and did I mention that it is fully endorsed by Vancouver’s official Twitter account?

Here’s how it works, Vancouver fans organize themselves at tweetups where they watch the game and tweet using various hashtags like #nowayjose and #windaturd. Anecdotally, I’ve noted that during the first two post-season series the Sharks fans have been pretty noisy on Twitter using hashtags like #gosharks and #sjsharks. These have been entertaining to watch, and if you set up a search query that includes the opposing team’s preferred hashtags it provides a nice stream of back channeled discussion during games.

This isn’t the case with Canucks hashtags. When added to San Jose search queries these tweets absolutely flood the streams and snuff out any Sharks tweets posted.

That’s right, the Canucks 7th man is their fanbase on Twitter.

Add to this the insult that was the silent Shark Tank during Game 4 and Vancouver’s tendency to dominate the third period and suddenly the Canuck hashtags take on a whole new light.

So what say you @sanjosesharks? Why not organize fans around a group of hashtags? Encourage viewing parties in San Jose, and motivate fans to do their part?

Tour de Cure Looms in the Distance

While professional athletes are busy grinding away on the Tour of California and the Giro d’Italia, I’m prepping for my own ride…the Tour de Cure. The weather has not been cooperative, and I’ve certainly had my moments of weakness, but today was another milestone — a 72 mile ride with multiple climbs.

Overall I think I faired pretty well, although admittedly I needed a few brief breaks along the way. Next weekend I’ll tackle a similar route, although I think I’ll try to space out the climbs a bit more in an effort to mimic something more akin to the route that awaits me in June.

Here’s a look at today’s route and performance:

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The Movies Died, There Was a Second Shooter

The Day The Movies Died

Calling It With Top Gun

If you haven’t read Mark Harris’ excellent GQ op-ed titled “The Day the Movies Died” yet, you really should. In it, Harris selects the Summer of ’87 release of Top Gun as the titular moment in history, and for good reason. Many will instinctually question the choice, citing releases like Star Wars and Jaws instead, but the article is much more than mere film-nerd “What if…” play — it’s aimed at a real trend in the industry that has shaped the new modern day studio system. Enough pretense. If you haven’t given it a read, go do so now.

Other Contributing Factors — The Death of Film Appreciation

Harris’ analysis of marketed film is right on the money, but there is a deeper corrosion at play. Roger Ebert has discussed the death of film criticism in wake of the rising “CelebCult” before, but I intend to carry this a step further. First, Ebert was speaking specifically about criticism in print. Second, Ebert’s thesis centers around the demand for printed gossip, which doesn’t necessarily align with Harris’ assertion that the age of “A-list celebrity as product” has come and gone in Hollywood, replaced instead by “proven product” — sequels, remakes, etc.

So what do I mean by death of film criticism? In film school, my circle of cineastes looked forward to each and every release. The late-90s — early-aughts were an extremely exciting times for American cinema. I’m not going to be so bold as to declare it a movement, it wasn’t. Not every film released was golden, but one can hardly deny that there was an incredible balance of high-concept films released, above and beyond the sequel / spandex genre. Films like Mulholland Dr., Boogie Nights, Requiem for a Dream, Fight Club, The Big Lebowski, The Thin Red Line, Rushmore, He Got Game, Happiness, Memento, American Psycho, Almost Famous, TrafficBringing Out The Dead, The Matrix, The Sixth Sense, American Beauty, and many more.

I mention these films for very specific reasons — many of them represent original screenplays, adapted works from lesser-known sources, early films from budding directors, anticipated vehicles from established auteurs, or perhaps most importantly many are, to some degree, polarizing efforts. It was a great time to be studying film theory. But it was ultimately killed, not just by a push to marketing as Harris illustrates, but also by cynicism, in fighting, and the inability to appreciate what we had. What happened?

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It’s Not the Scratch That Hurts…

Before anyone panics, I didn’t get into an accident. Instead, I met up with the guy who put my first big gash on my bike again today on Caltrain, and he did it again. This time around I mentioned it to him. Before I give you the primer, here are a few things to note:

I’m not completely bothered by scratches…they are bound to happen.

Yes. I know about the conventional wisdom of “the beater bike.” I choose to use my bike for commute/training, so I don’t want to spend time in the saddle of a bike I don’t intend to actually use on longer rides.

The person in question uses some unconventional lugs to fasten his saddle to his bike. These lugs are big and pointy in places.

Anyway, here’s how the whole thing went down:

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Tour de Cure: Team cine + octo = boo Update!!

Status check

I am absolutely blown away by the generosity of my friends. Seriously. You guys are amazing. If, by chance, you missed out on my Facebook and Twitter spam, here’s what I’m up to:

One of my personal goals this year was to complete a Century Ride. Another goal was to do something to benefit a cause I believe in. Well, by the end of this endeavor I will have completed one of those two goals. Hint, it’s not the Century Ride. Sure, the Tour de Cure falls just shy of the 100 mile requirement for a true Century, but honestly I’m not sure if I’m up to the challenge of a Century just yet. So instead, a 75 mile ride!

While the Tour de Cure falls short of a Century, it does help out with the second personal goal I listed: doing something to benefit a cause I believe in. Many of us have witnessed the lives of loved ones impacted by diabetes, and many of us may eventually find ourselves impacted by this disease ourselves. To do my part, I will be cycling in the American Diabetes Association’s Tour de Cure fundraising event.

So, here’s the update: I’ve already had to increase my initial goal once, and it looks like I’ll be doing it again before too long. I’m 73% of the way to my $1,000 goal, and if we crush that I’ll double it to $2,000. Amazing. So if you have the means to…help out?

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